Old Man River is the final film in this body of work, continuing an exploration of lineage, memory and inheritance through an intimate portrait of the filmmaker’s father, a 100-year-old political activist and nation builder from Guyana who helped found the country’s first multiethnic political party. The film sits beside him as he reflects on a lifetime shaped by political struggle, idealism, sacrifice and the contradictions within revolutionary movements.

Now blind, with his connection to the physical world becoming more fragile, his mind drifts freely between past and present, between his current home in Georgia and the landscapes of Guyana, between memory, dream and lived reality. The film moves within the rhythms of this roving consciousness, embracing a nonlinear structure that mirrors the simultaneity of time and the emotional terrain of aging.

Threaded throughout is Kwayana’s lifelong admiration for Paul Robeson and the emotional resonance of Robeson’s song “Ol’ Man River.” Anchored as much in family life as in political history, the film uses the song as a social and spiritual probe, reflecting on the roles people inherit, perform and resist within society.