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In its 250-year history, the United States has been enormously influenced by Iran's culture and history. Poets like Hafez and Sa'adi guided the words and thoughts of Benjamin Franklin, Henry David Thoreau, and Ralph Waldo Emerson, while Americans like Howard Baskerville played a critical role in the Constitutional Revolution that marked the end of the Qajar Dynasty. KHANEVADE: Portraits of Iranian Americans examines the everyday stories of the Iranians who have rebuilt their lives in the U.S., particularly in the wake of the 1979 Iranian Revolution, and contributed significantly to its civic and cultural life, while navigating questions of belonging and identity.
This program spans documentary works shaped by empathetic, quotidian portraits of Iranian American communities. Norouz: Persian Spring Festival is a revealing time capsule of the Bay Area in the 1960s, showcasing the presence of Iranian American families and communities nearly 20 years before the revolution. Maryam Kashani’s Best in the West builds upon this portrait to examine the lives of four lifelong friends who studied in the United States with humor, warmth, and bittersweetness. Armon Mahdavi’s Untitled, Jackson Heights closes the program on the present day to examine public spaces in Queens through a poignant, epistolary voiceover correspondence from a mother to her child. The in-person screening at MOMI will be followed by a discussion with filmmaker Armon Mahdavi.
KHANEVADE is curated by Nick Kouhi and is co-presented by ArteEast and Museum of the Moving Image. This program is part of the legacy program Unpacking the ArteArchive, which preserves and presents over 20 years of film and video programming by ArteEast. Selections from KHANEVADE will be screened in-person at 12:30pm on July 12 followed by a discussion with filmmaker Armon Mahdavi moderated by the curator. For more information about the in-person screening visit https://movingimage.org/event/khanevade-portraits-of-iranian-americans/. The full program will be screened online on artearchive.org from July 13-23, including a recorded discussion with filmmaker Persis Karim and scholar Amy Malek.
About the curator
Nick Kouhi is a programmer and film critic who's written for Filmmaker Magazine, Reverse Shot, Screen Slate, and Documentary Magazine. His previous collaboration with ArteEast was I Am From Here, I Am From There: Writers in Exile, and he has served on the screening committees of True/False and DOC NYC.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Untitled, Jackson Heights
Inspired by real letters written by the filmmaker's grandmother, "Untitled, Jackson Heights" revolves around a correspondence between an Iranian mother and her farway daughter. She reminisces on their time back in Iran together, her longing, and her daily experiences in this new country.
About the filmmaker
Armon Mahdavi is a a writer and filmmaker from San Francisco, now living in New York. His films have played at venues like the Institute of Contemporary Arts in London and Spectacle Theater in Brooklyn. He has short stories published in Gulf Coast, Triangle House Review, and others. He is currently a Hawthornden fellow at Brooklyn College, pursuing an MFA in Fiction.
- Year2024
- Runtime4 minutes
- LanguagePersian
- CountryUnited States
- Subtitle LanguageEnglish
- DirectorArmon Mahdavi
- ProducerNancy Kimball, Eli Bernstein
- CinematographerAaron Champagne
- EditorArmon Mahdavi
In its 250-year history, the United States has been enormously influenced by Iran's culture and history. Poets like Hafez and Sa'adi guided the words and thoughts of Benjamin Franklin, Henry David Thoreau, and Ralph Waldo Emerson, while Americans like Howard Baskerville played a critical role in the Constitutional Revolution that marked the end of the Qajar Dynasty. KHANEVADE: Portraits of Iranian Americans examines the everyday stories of the Iranians who have rebuilt their lives in the U.S., particularly in the wake of the 1979 Iranian Revolution, and contributed significantly to its civic and cultural life, while navigating questions of belonging and identity.
This program spans documentary works shaped by empathetic, quotidian portraits of Iranian American communities. Norouz: Persian Spring Festival is a revealing time capsule of the Bay Area in the 1960s, showcasing the presence of Iranian American families and communities nearly 20 years before the revolution. Maryam Kashani’s Best in the West builds upon this portrait to examine the lives of four lifelong friends who studied in the United States with humor, warmth, and bittersweetness. Armon Mahdavi’s Untitled, Jackson Heights closes the program on the present day to examine public spaces in Queens through a poignant, epistolary voiceover correspondence from a mother to her child. The in-person screening at MOMI will be followed by a discussion with filmmaker Armon Mahdavi.
KHANEVADE is curated by Nick Kouhi and is co-presented by ArteEast and Museum of the Moving Image. This program is part of the legacy program Unpacking the ArteArchive, which preserves and presents over 20 years of film and video programming by ArteEast. Selections from KHANEVADE will be screened in-person at 12:30pm on July 12 followed by a discussion with filmmaker Armon Mahdavi moderated by the curator. For more information about the in-person screening visit https://movingimage.org/event/khanevade-portraits-of-iranian-americans/. The full program will be screened online on artearchive.org from July 13-23, including a recorded discussion with filmmaker Persis Karim and scholar Amy Malek.
About the curator
Nick Kouhi is a programmer and film critic who's written for Filmmaker Magazine, Reverse Shot, Screen Slate, and Documentary Magazine. His previous collaboration with ArteEast was I Am From Here, I Am From There: Writers in Exile, and he has served on the screening committees of True/False and DOC NYC.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Untitled, Jackson Heights
Inspired by real letters written by the filmmaker's grandmother, "Untitled, Jackson Heights" revolves around a correspondence between an Iranian mother and her farway daughter. She reminisces on their time back in Iran together, her longing, and her daily experiences in this new country.
About the filmmaker
Armon Mahdavi is a a writer and filmmaker from San Francisco, now living in New York. His films have played at venues like the Institute of Contemporary Arts in London and Spectacle Theater in Brooklyn. He has short stories published in Gulf Coast, Triangle House Review, and others. He is currently a Hawthornden fellow at Brooklyn College, pursuing an MFA in Fiction.
- Year2024
- Runtime4 minutes
- LanguagePersian
- CountryUnited States
- Subtitle LanguageEnglish
- DirectorArmon Mahdavi
- ProducerNancy Kimball, Eli Bernstein
- CinematographerAaron Champagne
- EditorArmon Mahdavi