
An elderly goat herder, Ouma Hettie, who lives in the mountains of Namaqualand, is haunted by the ghost of her father, a man who went to fight in the Second World War and was paid for his sacrifice with just a bicycle to return home on. The villagers around her share this history: men who returned from war empty-handed, and whose descendants still bear the economic consequences generations later.
In the present day, this legacy resurfaces in another form of deception. Scam artists arrive promising them the “social relief fund” they’ve all been waiting for. The catch? There is an “application fee.” Ouma Hettie gathers what she can to pay for it. Then they vanish. And so, once again, she waits.
Her waiting is interrupted by the arrival of her family for her 80th birthday. They mean well, but their visit disrupts the fragile order of her days, the careful routine she has built up for herself over years of solitude. They want her to move to the city, to give up her independence, to let go of the land that has defined her entire life. Out of concern, she’s told she’s getting too old, she’s forgetting things, and she cannot live independently anymore.
The film unfolds over a recurring visual structure inspired by the musical compositional form of “Theme and Variations.” Each day repeats the same series of compositions, a certain number of fixed frames captured over five days, within which the smallest details shift and transform. The framing remains constant, but the life within each shot changes: gestures, conversations and small movements become the material of variation. These variations accumulate new meaning, tracing the rhythm of waiting and the subtle peaks and troughs that define her days. Shot with a painterly stillness and accompanied by a score that develops through its own musical variations, Variations on a Theme observes how a life on the margins continues to replay the same unresolved histories, each repetition both the same and entirely new.
Thank you to our screening partner: Africatown Economic Development Corporation.
- Year2026
- Runtime65 minutes
- LanguageAfrikaans
- CountrySouth Africa, Netherlands, Qatar
- PremierePhiladelphia
- GenreFeature Narrative
- Social Media
- DirectorJason Jacobs, Devon Delmar
- ScreenwriterJason Jacobs, Devon Delmar
- ProducerAnnemarie du Plessis, Jason Jacobs, Devon Delmar
- Co-ProducerMira Mendel, Nikki Thie
- CastHettie Farmer
- CinematographerGray Kotzé
- EditorDevon Delmar
- Production DesignCleveland Hopp
- ComposerMikhaila Smith
- Sound DesignJames Olivier
An elderly goat herder, Ouma Hettie, who lives in the mountains of Namaqualand, is haunted by the ghost of her father, a man who went to fight in the Second World War and was paid for his sacrifice with just a bicycle to return home on. The villagers around her share this history: men who returned from war empty-handed, and whose descendants still bear the economic consequences generations later.
In the present day, this legacy resurfaces in another form of deception. Scam artists arrive promising them the “social relief fund” they’ve all been waiting for. The catch? There is an “application fee.” Ouma Hettie gathers what she can to pay for it. Then they vanish. And so, once again, she waits.
Her waiting is interrupted by the arrival of her family for her 80th birthday. They mean well, but their visit disrupts the fragile order of her days, the careful routine she has built up for herself over years of solitude. They want her to move to the city, to give up her independence, to let go of the land that has defined her entire life. Out of concern, she’s told she’s getting too old, she’s forgetting things, and she cannot live independently anymore.
The film unfolds over a recurring visual structure inspired by the musical compositional form of “Theme and Variations.” Each day repeats the same series of compositions, a certain number of fixed frames captured over five days, within which the smallest details shift and transform. The framing remains constant, but the life within each shot changes: gestures, conversations and small movements become the material of variation. These variations accumulate new meaning, tracing the rhythm of waiting and the subtle peaks and troughs that define her days. Shot with a painterly stillness and accompanied by a score that develops through its own musical variations, Variations on a Theme observes how a life on the margins continues to replay the same unresolved histories, each repetition both the same and entirely new.
Thank you to our screening partner: Africatown Economic Development Corporation.
- Year2026
- Runtime65 minutes
- LanguageAfrikaans
- CountrySouth Africa, Netherlands, Qatar
- PremierePhiladelphia
- GenreFeature Narrative
- Social Media
- DirectorJason Jacobs, Devon Delmar
- ScreenwriterJason Jacobs, Devon Delmar
- ProducerAnnemarie du Plessis, Jason Jacobs, Devon Delmar
- Co-ProducerMira Mendel, Nikki Thie
- CastHettie Farmer
- CinematographerGray Kotzé
- EditorDevon Delmar
- Production DesignCleveland Hopp
- ComposerMikhaila Smith
- Sound DesignJames Olivier